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    His attempt to be a magazine illustrator failed. In , he had his first solo exhibition in Bern, which then traveled to three Swiss cities.

    His resultant drawings were published later in a version of the book edited by Kurt Wolff. His early inclination towards the absurd and the sarcastic was well received by Kubin, who befriended Klee and became one of his first significant collectors.

    On meeting Kandinsky, Klee recorded, "I came to feel a deep trust in him. He is somebody, and has an exceptionally beautiful and lucid mind.

    Klee became in a few months one of the most important and independent members of the Blaue Reiter , but he was not yet fully integrated.

    The release of the almanac was delayed for the benefit of an exhibition. Klee did not attend it, but in the second exhibition, which occurred from 12 February to 18 March in the Galerie Goltz , 17 of his graphic works were shown.

    His travels to Paris in also exposed him to the ferment of Cubism and the pioneering examples of "pure painting", an early term for abstract art.

    The use of bold color by Robert Delaunay and Maurice de Vlaminck also inspired him. He wrote, "Color has taken possession of me; no longer do I have to chase after it, I know that it has hold of me forever Color and I are one.

    I am a painter. Instead, Klee began to delve into the "cool romanticism of abstraction". After returning home, Klee painted his first pure abstract, In the Style of Kairouan , composed of colored rectangles and a few circles.

    His selection of a particular color palette emulates a musical key. Sometimes he uses complementary pairs of colors, and other times "dissonant" colors, again reflecting his connection with musicality.

    A few weeks later, World War I began. At first, Klee was somewhat detached from it, as he wrote ironically, "I have long had this war in me.

    That is why, inwardly, it is none of my concern. The deaths of his friends August Macke and Franz Marc in battle began to affect him.

    Venting his distress, he created several pen and ink lithographs on war themes including Death for the Idea Klee moved on 20 August to the aircraft maintenance company [b] in Oberschleissheim , executing skilled manual work, such as restoring aircraft camouflage , and accompanying aircraft transports.

    This allowed him to stay in a small room outside of the barrack block and continue painting. He continued to paint during the entire war and managed to exhibit in several shows.

    It employs watercolor on gauze and paper with a chalk ground, which produces a rich texture of triangular, circular, and crescent patterns.

    In , Klee applied for a teaching post at the Academy of Art in Stuttgart. A retrospective of over works in was also notable. Klee taught at the Bauhaus from January to April Later that year the first Bauhaus exhibition and festival was held, for which Klee created several of the advertising materials.

    That same year, Klee had his first exhibits in Paris, and he became a hit with the French Surrealists. Klee was at the peak of his creative output.

    His Ad Parnassum is considered his masterpiece and the best example of his pointillist style ; it is also one of his largest, most finely worked paintings.

    The progression of his fatal disease, which made swallowing very difficult, can be followed through the art he created in his last years.

    His output in was only 25 pictures. In the later s, his health recovered somewhat and he was encouraged by a visit from Kandinsky and Picasso.

    His varied color palettes, some with bright colors and others somber, perhaps reflected his alternating moods of optimism and pessimism.

    Klee suffered from a wasting disease, scleroderma , toward the end of his life, enduring pain that seems to be reflected in his last works of art.

    One of his last paintings, Death and Fire , features a skull in the center with the German word for death, "Tod", appearing in the face.

    He died in Muralto , Locarno, Switzerland, on 29 June without having obtained Swiss citizenship, despite his birth in that country.

    His art work was considered too revolutionary, even degenerate, by the Swiss authorities, but eventually they accepted his request six days after his death.

    Klee has been variously associated with Expressionism , Cubism , Futurism , Surrealism , and Abstraction , but his pictures are difficult to classify.

    He generally worked in isolation from his peers, and interpreted new art trends in his own way. He was inventive in his methods and technique.

    Klee worked in many different media— oil paint , watercolor , ink , pastel , etching , and others. He often combined them into one work.

    He used canvas, burlap, muslin, linen, gauze, cardboard, metal foils, fabric, wallpaper, and newsprint.

    He was a natural draftsman, and through long experimentation developed a mastery of color and tonality. Many of his works combine these skills.

    He uses a great variety of color palettes from nearly monochromatic to highly polychromatic. His works often have a fragile childlike quality to them and are usually on a small scale.

    He often used geometric forms and grid format compositions as well as letters and numbers, frequently combined with playful figures of animals and people.

    Some works were completely abstract. Many of his works and their titles reflect his dry humor and varying moods; some express political convictions.

    They frequently allude to poetry, music and dreams and sometimes include words or musical notation. The later works are distinguished by spidery hieroglyph -like symbols.

    Among the few plastic works are hand puppets made between and , for his son Felix. Thirty of the preserved puppets are stored at the Zentrum Paul Klee , Bern.

    Jungfrau im Baum ties on the motive Le cattive madri by Giovanni Segantini. As their clothes and insignia were bereft, "both of them have no clue if their conventional salute […] is in order or not.

    As they assume that their counterpart could have been higher rated", they bow and scrape. Hilterfingen , , ink on paper, Solomon R.

    Guggenheim Museum , New York. Aged Phoenix , , etching, Solomon R.

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    Take a time out with a sabbatical. He used canvas, burlap, muslin, linen, gauze, cardboard, metal foils, fabric, wallpaper, and newsprint.

    He was a natural draftsman, and through long experimentation developed a mastery of color and tonality. Many of his works combine these skills.

    He uses a great variety of color palettes from nearly monochromatic to highly polychromatic. His works often have a fragile childlike quality to them and are usually on a small scale.

    He often used geometric forms and grid format compositions as well as letters and numbers, frequently combined with playful figures of animals and people.

    Some works were completely abstract. Many of his works and their titles reflect his dry humor and varying moods; some express political convictions.

    They frequently allude to poetry, music and dreams and sometimes include words or musical notation. The later works are distinguished by spidery hieroglyph -like symbols.

    Among the few plastic works are hand puppets made between and , for his son Felix. Thirty of the preserved puppets are stored at the Zentrum Paul Klee , Bern.

    Jungfrau im Baum ties on the motive Le cattive madri by Giovanni Segantini. As their clothes and insignia were bereft, "both of them have no clue if their conventional salute […] is in order or not.

    As they assume that their counterpart could have been higher rated", they bow and scrape. Hilterfingen , , ink on paper, Solomon R.

    Guggenheim Museum , New York. Aged Phoenix , , etching, Solomon R. Klee began to introduce a new technique in Klee conveyed the scenery in a grid, so that it dissolves into colored harmony.

    It took over ten years that Klee worked on experiments and analysis of the color, resulting to an independent artificial work, whereby his design ideas were based on the colorful oriental world.

    Germain , , watercolor on paper on cardboard, Zentrum Paul Klee , Bern. Acrobats , , watercolor, pastel and ink on paper, Solomon R.

    It indicates the relations between color and the stimulus of Macke and Delaunay. Although elements of the garden are clearly visible, a further steering towards abstraction is noticeable.

    In his diary Klee wrote the following note at that time:. In the large molding pit are lying ruins, on which one partially hangs.

    They provide the material for the abstraction. Under the impression of his military service he created the painting Trauerblumen Velvetbells in , which, with its graphical signs, vegetal and phantastic shapes, is a forerunner of his future works, harmonically combining graphic, color and object.

    For the first time birds appear in the pictures, such as in Blumenmythos Flower Myth from , mirroring the flying and falling planes he saw in Gersthofen, and the photographed plane crashes.

    In the watercolor painting Einst dem Grau der Nacht enttaucht , a compositional implemented poem, possible written by Klee, he incorporated letters in small, in terms of color separated squares, cutting off the first verse from the second one with silver paper.

    At the top of the cardboard, which carries the picture, the verses are inscribed in manuscript form. The Villa R Kunstmuseum Basel from unites visible realities such as sun, moon, mountains, trees and architectures, as well as surreal pledges and sentiment readings.

    His works during this time include Camel in rhythmic landscape with trees as well as other paintings with abstract graphical elements such as betroffener Ort Affected Place After being named defamatory in the Munich exhibition " Entartete Kunst ", the painting was later bought by the Buchholz Gallery, New York, and then transferred in to the Museum of Modern Art.

    The "twittering" in the title refers to the open-beaked birds, while the "machine" is illustrated by the crank. The watercolor painting appears at a first glance childish, but it allows more interpretations.

    Through variations of the canvas ground and his combined painting techniques Klee created new color effects and picture impressions. Its overlaying technique evinces the polyphonic character of his drawing method between and In this mosaic-like work in the style of pointillism he combined different techniques and compositional principles.

    Influenced by his trip to Egypt from to , Klee built a color field from individually stamped dots, surrounded by similarly stamped lines, which results in a pyramid.

    Above the roof of the " Parnassus " there is a sun. The title identifies the picture as the home of Apollo and the Muses.

    In the architecture of the ancient funerary moments Klee discovered a sense of proportion and measure in which human beings appeared to establish a convincing relationship with the immensity of the landscape; furthermore, he was drawn to the esoteric numerology that governed the way in which these monuments had been built.

    The self-portrait in the same year—with the programmatic title von der Liste gestrichen removed from the list —provides information about his feeling after losing his professorship.

    The abstract portrait was painted in dark colors and shows closed eyes and compressed lips, while on the back of his head there is a large "X", symbolizing that his art was no longer valued in Germany.

    Senecio , , oil on gauze, Kunstmuseum Basel , Basel. Fright of a Girl , , Watercolor, India ink and oil transfer drawing on paper, with India ink on paper mount, Solomon R.

    In this period Klee mainly worked on large-sized pictures. After the onset of illness, there were about 25 works in the catalogue, but his productivity increased in to pictures, to , and —his most productive year—to They dealt with ambivalent themes, expressing his personal fate, the political situation and his joke.

    Examples are the watercolor painting Musiker musician , a stick-man face with partially serious, partially smiling mouth; and the Revolution des Viadukts Revolution of the Viadukt , an anti-fascist art.

    In Viadukt the bridge arches split from the bank as they refuse to be linked to a chain and are therefore rioting. Bitterness and sorrow are not rare in much of his works during this time.

    Zeichen in Gelb , , pastel on cotton on colored paste on jute on stretcher frame, Fondation Beyeler, Riehen near Basel.

    Revolution des Viadukts , , oil on oil grounding on cotton on stretcher frame, Hamburger Kunsthalle. Insula dulcamara , , oil color and colored paste on newsprint on jute on stretcher frame, Zentrum Paul Klee , Bern.

    Klee created in a picture which strongly differs from the previous works, leaving it unsigned on the scaffold. The comparatively realistic still life , Ohne Titel , later named as Der Todesengel Angel of Death , depicts flowers, a green pot, sculpture and an angel.

    The moon on black ground is separated from these groups. During his 60th birthday Klee was photographed in front of this picture. In a minimum of one line he can reveal his wisdom.

    He is everything; profound, gentle and many more of the good things, and this because: When Klee visited the Paris surrealism exhibition in , Max Ernst was impressed by his work.

    His partially morbid motifs appealed to the surrealists. He is by no means a dreamer; he is a modern person, who teaches as a professor at the Bauhaus.

    But Breton despises him. In Marcel Duchamp commented on Paul Klee: A deep understanding of dealing with watercolors to paint a personal method in oil, structured in decorative shapes, let Klee stand out in the contemporary art and make him incomparable.

    On the other side, his experiment was adopted in the last 30 years by many other artists as a basis for newer creations in the most different areas in painting.

    His extreme productivity never shows evidence of repetition, as is usually the case. He had so much to say, that a Klee never became an other Klee.

    In his "Theses on the Philosophy of History" Benjamin suggests that the angel depicted in the painting might be seen as representing the angel of history.

    Unlike his taste for adventurous modern experiment in painting, Klee, though musically talented, was attracted to older traditions of music; he neither appreciated composers of the late 19th century, such as Wagner , Bruckner and Mahler , nor contemporary music.

    Bach and Mozart were for him the greatest composers; he most enjoyed playing the works by the latter. Director Vassilis Mazomenos was the production designer of the film.

    It is located within the art history department, established by Franz-Joachim Verspohl. It encompasses the private library of book collector Rolf Sauerwein which contains nearly works from 30 years composed of monographs about Klee, exhibition catalogues, extensive secondary literature as well as originally illustrated issues, a postcard and a signed photography portrait of Klee.

    Located in Bern, the museum exhibits about of Klee works overall in a six-month rotation, as it is impossible to show all of his works at once. Furthermore, his pictures require rest periods; they contain relatively photosensitive colors, inks and papers, which may bleach, change, turn brown and become brittle if exposed to light for too long.

    In , a Google Doodle was created to celebrate his th birthday. Edit Read in another language Paul Klee. For other uses, see Klee disambiguation.

    Fassung at the Guggenheim Museum. He served in the German army during World War I. Klee grew up in Berne, Switzerland, and returned there often, even before his final emigration from Germany in He died before his application for Swiss citizenship was processed.

    Der Blaue Reiter , p. Chronologie einer Freundschaft , pp. Paul Klee und das Bauhaus. Chronologie einer Freundschaft , p.

    Reimer, Berlin , p. Leben und Werk , Munichn , p. Meisterwerke der Kunst, Isis Verlag. Archived from the original on 9 January Retrieved 25 September Retrieved 26 October Archived from the original on 29 April

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